POSTPONED FROM MAY, 2020 - STREAMING JUNE 12, 2021
GLASS SLIPPERS ARE SO BACK!
The Westchester premiere of this Tony-Winner promises to delight with its
surprisingly contemporary take and more than a touch of hilarity. The hearts
of children and adults alike will soar when the slipper fits! Family theatre at
its magical best!
Music by Richard Rodgers Lyrics by Oscar Hammerstein II New Book by Douglas Carter Beane
Original Book by Oscar Hammerstein II Produced by Cagle McDonald & Rene O’Neal
Choregraphed by Jennifer Jonas Cahill Musical Direction by George H. Croom Directed by Rene O’Neal
Choregraphed by Jennifer Jonas Cahill Musical Direction by George H. Croom Directed by Rene O’Neal
TICKETS clocktowerplayers.com
Ella…………………………………………………………………...Malia McLellan
Topher……………………………………………………………………..Oliver Tam
Marie ………………………………………………………………. ..Annika
Martens
Jean-Michel …………………………………………………… ...….......Aidan
Zusin
Gabrielle………………………………………………...…………….Miriam
Chester
Charlotte…………………………………………………………..Eleanor
O’Sullivan
Madame………………………………………………………………..Emma Koonce
Sebastian……………………………………………..……Leo James
McLaughlin IV
Lord Pinkelton…………………………………………………................James
Heins
Lady of Court/Townsperson/Dancer…………………………...........Annabella
Javier
Knight 2nd in Command/Lord of
Court/Townsperson……………….Victor Vyssotski
Lady of Court/Dancer/Townsperson…………………….……………..Carolina
Javier
Lady of Court/Dancer/Townsperson…………………….….....................Melissa
Kim
Lady of Court/Dancer/Townsperson…………………………………….....Jordan
Pak
Knight/Lord of Court/Townsperson………………………………….....Ethan
Gartlan
Lady of Court/Dancer/Townsperson………………..…………..….Maeve
Van Engen
Lady of Court/Townsperson…………………………………………...Sahana
Harsha
Lady of Court/Townsperson…………………………………………….…Elena
Lark
Lady of Court/Townsperson………………………………….…..…Raven
Montagna
Cinderella Cast List
Cinderella Musical Numbers
Prologue……………………………………………………………………..……Full Company
Who Am I?...........................................................Topher, Sebastian, Lord Pinkleton, Knights
In My Own Little Corner………………………...…………………………………………Ella
In My Own Little Corner (Reprise)/Your Majesty…………….…Lord Pinkleton, Topher
The Prince is Giving A Ball/Now is the Time……..……………...Jean-Michel, Sebastian,
Lord Pinkleton, Knight 2nd in Comand, Ella, Madame, Townspeople
In My Own Little Corner (Reprise #2)/Fol-De-Rol…………………….………Ella, Marie
Impossible………………………………………………………………….……….Ella, Marie
It’s Possible………………....………….Ella, Marie, Coachman, Footman, Coach Dancers
Gavotte…………………………………………………………..……………….Full Company
Ten Minutes Ago………………………………………………………..………Full Company
Waltz for a Ball…………………………………………………….…………….Full Company
Ten Minutes Ago (Reprise)……………………………………………………Full Company
Stepsister’s Lament…………………………………...………Charlotte, Ladies of the Court
The Pursuit……..Topher, Lords of the Court, Ella, Footman, Coachman, Coach Dancers
He Was Tall……………………………………………………………..……………………Ella
When Your Driving Through the Moonlight…….…Ella, Charlotte, Gabrielle, Madame
A Lovely Night…………………………………….……Ella, Charlotte, Gabrielle, Madame
A Lovely Night (Reprise)………………………………………………………Gabrielle, Ella
Loneliness of Evening…………………………………………………..………..Ella, Topher
The Prince is Giving a Ball (Reprise)………………………..…Lord Pinkleton, Sebastian,
Knight 2nd in Command, Madame, Townspeople
There’s Music In You……………………………………………………………………..Marie
Now is the Time (Reprise)…………………………..………..Jean-Michel, Gabrielle, Marie
Do I Love You Because You’re Beautiful?...........................................................Topher, Ella
Ten Minutes Ago (Reprise #2)……………………………………...…………Full Company
The Wedding…………………………………………………………………….Full Company
CAST OF CHARACTERS
Ella:
Though no one notices her beneath her rags and quiet demeanor, she is opinionated, charismatic, passionate, beautiful and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman. Must have strong dance and partnering skills and great comedic timing. Beautiful and expressive traditional musical theatre soprano.
Though no one notices her beneath her rags and quiet demeanor, she is opinionated, charismatic, passionate, beautiful and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman. Must have strong dance and partnering skills and great comedic timing. Beautiful and expressive traditional musical theatre soprano.
Prince Topher:
A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Attractive and charming but not a stereotypical ladies man, he is thoughtful, appealing and innocent – with an unforced goofy streak. Moral, genuine and kindhearted, he is at a crossroads and must take control of his kingdom and his future. Must have strong dance and partnering skills and great comedic timing. Soaring, rich musical theatre baritone to G.
A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Attractive and charming but not a stereotypical ladies man, he is thoughtful, appealing and innocent – with an unforced goofy streak. Moral, genuine and kindhearted, he is at a crossroads and must take control of his kingdom and his future. Must have strong dance and partnering skills and great comedic timing. Soaring, rich musical theatre baritone to G.
Madame:
Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder. Must have incredible comic timing. Traditional musical theatre character voice.
Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder. Must have incredible comic timing. Traditional musical theatre character voice.
Sebastian:
The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom. Must have incredible comic timing. Traditional musical theatre character voice.
The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom. Must have incredible comic timing. Traditional musical theatre character voice.
Lord Pinkleton:
The Lord Chancellor’s right-hand man. Announces royal balls, banquets and even the weather to the villagers. Must have great comic timing. Traditional musical theatre tenor with power.
The Lord Chancellor’s right-hand man. Announces royal balls, banquets and even the weather to the villagers. Must have great comic timing. Traditional musical theatre tenor with power.
Marie:
A friend to Ella, and the town’s resident crazy lady and beggar-woman. Actually a fairy godmother in disguise. Wise, warm, otherworldly and charming. Marie rewards Ella for her kindness by making her dreams a possibility. Glorious and expressive traditional musical theatre soprano to G.
A friend to Ella, and the town’s resident crazy lady and beggar-woman. Actually a fairy godmother in disguise. Wise, warm, otherworldly and charming. Marie rewards Ella for her kindness by making her dreams a possibility. Glorious and expressive traditional musical theatre soprano to G.
Gabrielle:
Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in. Must have great comic timing. Strong and expressive traditional musical theatre voice.
Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in. Must have great comic timing. Strong and expressive traditional musical theatre voice.
Jean-Michel:
A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes. Interested in all physical types – he could be scrawny, short, tall, etc. Must have great comic timing. Traditional musical theatre voice. Must understand musical phrasing and have an attractive, compelling sound.
A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes. Interested in all physical types – he could be scrawny, short, tall, etc. Must have great comic timing. Traditional musical theatre voice. Must understand musical phrasing and have an attractive, compelling sound.
Charlotte:
Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy and bratty, she has a ridiculously high – but unfounded – opinion of herself. She never passes up an opportunity to be the center of attention. Must have great comic timing. Strong and expressive traditional musical theatre character belt to F.
Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy and bratty, she has a ridiculously high – but unfounded – opinion of herself. She never passes up an opportunity to be the center of attention. Must have great comic timing. Strong and expressive traditional musical theatre character belt to F.
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